Monday, 24 October 2016

Interview with CR Hiatt

This week I’m delighted to welcome young adult and thriller author CR Hiatt.  The daughter of a military veteran, CR grew up in a small town where she was an All-American athlete before she ventured out into the real world. CR knew early on that she wasn't cut out for the nine to five type of job, her tendency to day dream about adventures often got in the way, which inevitably led her to writing where she could live out those escapades. So far she has four titles under her belt.

When did you write your first book and how old were you?

I didn’t start writing books until much later in life, mainly because I wasn’t sure I could make a good enough living from writing. In fact, I dabbled with screenplays before ever attempting to sit down and write a full book. It was after having a little bit of success with one of my scripts where a producer recommended I adapt it into a book so I finally took the plunge.

Before actually sitting down to write, however, I spent several months with local and big-city police departments, and fire departments, where I engaged in one-on-one interviews with undercover detectives to make sure I was not only accurate, but also to garner more information if I wound up writing a series. I was also fortunate enough to spend time with victims of some of the crimes discussed in my series.

What was one of the most surprising things you learned in creating your books?

There were actually three things that surprised me when I started this journey. One was the ever-changing landscape of the publishing world, and the way readers started to view traditional and self-published authors. Not only are they more accepting of the Indie author, but quite a few have topped the financial charts and paved the way for others.

The second thing was information I learned during my research with law enforcement. Even though my stories are fiction, they are all based on real-life situations, one of which is the crime of human trafficking. I was horrified to learn the truth about some of the perpetrators who were involved in the multi-million-dollar trafficking rings all across the U.S. and abroad. They weren’t all members of gangs or thugs from poor parts of the city who were trying to score some big money, like I envisioned. Some of them were CEO’s, doctors, judges, lawyers, police officers, and even worse, some of the more lucrative rings were started by teenagers still in high school.

And finally, I was stunned to know that there are some who don’t believe that eighteen-year-olds, which is the age of the two heroes in my McSwain & Beck series, could handle some of the situations which they were thrown into, as reflected in some of my readers’ emails and Facebook messages. That baffled me, because my father had been in the military and so are many of my friends, most of who joined when they were eighteen. I also have other friends who are police officers and firefighters. They also joined at young ages. I’m not sure of the world in which the commenters live, but in the world of my friends, the antics pulled off by McSwain & Beck are tame in comparison.

Do you prefer to create books for teens or adults?

That’s a tough one. Since I write mainly action-thrillers, I would say it is easier to write from the perspective of an adult, only because I feel freer to put the character into situations, or have them say something that I don’t feel like I will be judged or it will have some kind of life-altering impact on a young adult who happens to read the story. I’ve seen some reviewers and critics attack authors just for using the F-bomb in a story, and the main characters were mobsters. There are some stories where certain language is necessary to make the story seem real. Can you see Tony of the Sopranos altering his language to appeal to the sensitive PC crowd? It may be fiction, but the writer of that series remained true to the real Italian mobsters back in the day. Same goes for a cop, military figure, or spy who found himself in a violent or horrific situation. If a soldier steps on a landmine and blows one of his legs off, he’s not going to think about who he might be offending when he utters an expletive as he drops to the ground. Authors are trying to do the same when writing the character in similar situations. We are trying to remain authentic.
Having said the above, I have been fortunate enough to get teens, young adult, and adult readers for my young adult series. In fact, I was actually surprised that the majority of readers of the series turned out to be adult males. But I am blown away when I get feedback from teens and young adults who read the books, and tell me how much they love Sydney and Cody. There was nothing more humbling than to receive emails from readers who did their high school book reports from Gone at Zero Hundred 00:00 and Fireworks on the 4th.   

Any tips on how to get through the dreaded writer’s block?

Read. Read. Read. Nothing motivates me more than to sit down and read action thrillers by other authors. Sometimes, for me at least, I get stumped because I’m not sure I can pull off an action sequence the way I want, or if the reader will buy it as legit for my story. If that happens, I have a few authors who write the kind of action/thrillers I would LOVE to write, (such as the owner of this blog, Alan McDermott), so I open one of their books and start reading. It might take a few chapters or the entire book to get me out of my funk, or I might have to read a few others.
Another trick that has worked for me is to write a few chapters the way I do a screenplay, which means I would write out the action and fill in the dialogue and description later. I have a huge supply of DVDs, most of which are action oriented, so I spend a lot of time watching them when I need inspiration; 24 hours of James Bond can do wonders.

Do you find it easier to write a series or standalones?

I have outlines of several stories, but so far I have only published the ones that were written as a series. Since McSwain & Beck are private investigators it was easier to write them as a series, because the ideas were already there from my research with law enforcement. Kyra Ray was created when I adapted an earlier screenplay originally titled Retribution, but is now Sanctioned Kill. When I wrote the screenplay, it was created with the hope that a filmmaker would see the potential for a sequel, or a possible TV series. The ending makes it inevitable that there would be more to come.
I do have a standalone book that I look forward to publishing sometime in the near future which is based on members of the fire service. I was fortunate to spend time at small-town and big city fire departments, virtually residing at one firehouse to get the feel of what it was like to be a member of the fire service, and witnessed some incredible and scary things. Like all my stories, the plot is based on real life, only written as fiction with additional characters added in.

What part of your writing time do you devote to marketing your book?

For a while, I spent a lot of time trying to study and navigate social media, and joined Facebook groups that focused on marketing. I studied some of the top authors and tried to emulate their successes. I learned a lot, and spent a good amount of money in the process. What I came away with though, marketing doesn’t need to be a full-time effort. Writing does. It used to be that an author put out a book a year, and did marketing in between. That doesn’t work as well for us indie authors. My new goal is to put out a few books a year. The more books you have, the more the readers will find you. I have been putting all my ducks in a row where real life is concerned so that I can put that plan into action.

Where would you like to be in 5 years’ time?

I want to be the female version of Russell Blake, only without the Tequila. No more renovating houses (which is what I do when not writing), but instead I would be sitting on the beach near my waterfront home. I’d have several books already published, and the uncanny ability to keep churning out more, with the ease that Mr. Blake has.
Oh, and no clowns.

What are you working on at the moment?

Spy Games, the third novel in the McSwain & Beck series is set to be published for pre-orders soon. It was delayed due to an unfortunate situation by Mother Nature at one of the properties I rent out. I’m also working on the sequel to Sanctioned Kill, and should have that ready to go shortly after.

Where can we find your books?

Sunday, 9 October 2016

Interview with Seb Kirby

My next guest is Seb Kirby, author of the James Blake Thriller series (Take no More, Regret No More and Forgive No More), the Raymond Bridges sci-fi thriller series (Double Bind) and the psychological thriller Each Day I Wake. He has also had the distinction of being one of Len Smart’s suggested reads in my Tom Gray series.

Tell us about your latest book

I'm close to completing a new psychological thriller, a follow up to EACH DAY I WAKE. The provisional title is SUGAR FOR SUGAR. The main character is Issy Cunningham, a woman who's struggling to discover what's gone wrong in her life. She's been burying past tragedies and must find a way of coming to terms with them if she's going to make sense of what's happening now. Aiming for a launch date in September...... 

How did you get into writing?

I was raised surrounded by books – my grandfather ran a mobile library in Birmingham and my parents inherited a random selection of titles when the library business closed. They weren't much interested in them; the books were piled up in a spare room, gathering dust. I would disappear in there and resurrect much read classics. I’ve been hooked ever since. It’s always seemed a natural thing to want to do – to write. 

Do you travel to research your books, or is it all done online?

Before I took up full time writing I worked as a science professor and, as part of that job, I got to attend conferences in many parts of the world. Wherever possible I took time after the conferences to stay on and get to know more about the locations. The places that remain most in the memory are the US (Boston, New York, Monterey, San Francisco, Albuquerque, San Antonio, San Diego), Europe (Florence, Venice, Crete, Aachen, Munich, Lisbon, Igls), China (Bejing, Shenyang, Xi’an). Of all these places, Florence is the most precious and I return there most years. The Reformation took place there. You can still inhale the spirit of the freedom of scientific and artistic thought and practice that brought about the enlightenment that has served us so well right up to the present day. An enlightenment now under challenge from all sides. I still travel as much as I can, these days mainly in Europe. Now I’m much more aware that, part of the time anyway, I’m casing the joint for scenes in upcoming novels.

If your books hit the big screen, who would you like to play the lead role?

There was one embarrassing moment, some years ago when I was waiting for a connection at Chicago O’Hare airport when I got talking to this guy who guessed I was English and wanted to know what I knew about Oasis. I had to tell him that I didn’t know much. He then hinted, in a somewhat humorous way, that I might know who he was. I didn’t. To help, he asked if I’d seen the movie ‘Ed Wood. I‘d heard of it but hadn’t seen it. Something about him was familiar, though. Eventually, his flight was called and he prepared to leave. I made a joke that he’d be traveling first class despite his somewhat unexplained interest in the Gallaghers. Unlike the economy class seating that traveling academics like me were made to suffer. He shrugged this off with a smile and was gone. This was 1995 and the man I’d been talking with was not that famous then. I realised later that I’d been speaking with Johnny Depp. So, it would make sense to me to have Johnny playing the lead, if, and it’s quite and ‘if’, my James Blake thriller series gets to the screen.

Who has been your biggest influence in writing?

Picking one author, it would have to be Ray Bradbury. I discovered him many years ago and those stories (The Martian Chronicles, Dandelion Wine, The Illustrated Man, The October Country, Fahrenheit 451 and many more) are still fresh in my mind today. He’s a model storyteller. But he also has an economy in the use of language that I admire and, in my own way, try to emulate, even though I’m not working mainly in the same genres (sci fi / horror) that Ray worked in. But I believe that this approach, applied to thrillers, is something that can set my work apart from other thriller writers and, hopefully, gain something approaching a fraction of the appreciation from readers that Ray’s work still commands today. 

If you weren’t an author, what would you like to do for a living?

I’ve been a scientist, engineer, educator and professor. It was rewarding working in those roles, especially teaching science to young people. But I decided to give that all up to become a full-time author. Which is harder? Being an author. No doubt about it. But the satisfaction of inventing worlds of your own and involving readers in them more than makes up for that.

Where can we find out more about your books?

Here is the link to my amazon author page: Or you can visit my web site :

Friday, 30 September 2016

Cover reveal for Trojan

It has been a long time coming, but I am finally able to reveal the cover and release date for my latest novel, Trojan.  Tom Gray has been through some rough times, so I decided to give him some time off and let Andrew Harvey and the team from MI5 step up and have their own adventure.  There are lots of familiar characters for those who have read the Gray series, but it can easily be read as a standalone.

When MI5 learns that a horrifying new weapon is in enemy hands, agent Andrew Harvey is called in to track it down before it reaches British soil.

But then a woman is found murdered by the roadside and it soon becomes clear that London is in the crosshairs. The clock is ticking. Andrew and his girlfriend, Sarah, also a secret service operative, have only one lead: a beautiful refugee, desperate not to lose her son. But is she desperate enough to betray everything she believes in? And will she do it in time to help them prevent a terrifying attack?

As Andrew and Sarah race to unravel a convoluted web of subterfuge and exploitation, they discover there is more at stake than even they knew. And somewhere, at the heart of it, lurks a faceless enemy, who is prepared to use everything—and everyone—at his disposal.

My publisher didn't want the book to get lost in the holiday noise, so it will hit the shelves on January 12th 2017.  It is now available for pre-order exclusively from Amazon:


A couple of people were given advanced review copies by my publisher, and here's what they had to say about Trojan:
‘Trojan is an edge of your seat, fast-paced thriller which kept me gripped throughout. A tense and action-packed story which was frighteningly plausible and topical. With a strong MI5 team trying to foil an horrific terrorist attack in London, Trojan kept me reading until the early hours desperate to find out what happens.’ —Tracy Fenton, THE Book Club

I thought this was a fast-paced, action thriller to start with but then Alan McDermott kicked it up to full throttle and left me gasping for air! I seriously could not put this book down and now find myself, true crimebookjunkie-style, gagging for my next fix!  Noelle Holten -

Sunday, 25 September 2016

Interview With David Leadbeater

David Leadbeater is the author of nineteen Kindle International Bestsellers - the Matt Drake and Alicia Myles series', the Disavowed series and Chosen. He has sold over half a million e-books on the Amazon Kindle. 

When did you first realise you wanted to be a writer? 

I've written books since I was 15 years old. It's always been my highest aspiration. 

How much time do you send on research? 

I try to get all my initial research written down within a week. If some parts look quite daunting I leave links in the plot at relevant points to be addressed later.  

What was the hardest thing about writing your latest book? 

Learning a new process of writing and editing! I used a new editor for Stand Your Ground and he worked very differently. He taught me a lot. 

Do you have an agent, and if not, are you looking for one? 

No agent and not looking for one at the moment. Independent publishing is where it's all at. 

You recently worked with Ed Stackler as your editor.  How did you find the process? 

Ed is a great developmental editor, able to push your further and harder and make you really think about plotlines, characters and pace. He is very experienced, working for Amazon, and very professional. I'd certainly enjoy the chance to do it all again some time. 

How do you handle negative reviews? 

I take note only if they hold serious content, and something I or my readers tend to agree with. If a recurring theme comes up I look at rewriting certain passages or researching further, two things I have done several times in the past. Amazon's self-publishing platform allows you to revise your book at any time – another great boon for Independent publishing. 

Which marketing strategy has worked best for you? 

If I'm being honest none of them seem to work all that well. My best decision was to create a mailing list of readers and use that to inform everyone of new releases. Whichever way you do it, I believe a large mailing list is essential. 

Where can we find your books? My Amazon Author Central page shows a list of the avaialble titles: 
And my personal website is: 

Monday, 12 September 2016

Interview with Seumas Gallacher

Former businessman Seumas Gallacher left the finance world seven years ago to launch his writing career, and I’m here to find out how that journey went.  Seumas was voted Blogger of the Year in 2013, and his network boasts over 25,000 direct contacts.

 Tell us about your latest book

Current work-in-progress is DEADLY IMPASSE, the fifth in the Jack Calder crime thriller series. The characters are familiar to my readers--- the team at International Security Partners (ISP), ex-SAS officers, Jack Calder and his mate Malky McGuire; Jack’s Asian wife, former Anti-Triad fighter, May-Ling; and former London Serious Crimes Squad commander, Donnie Mullen, take on international drug barons and people-traffickers. The action ranges from the usually calm backwater of a private bank in Luxembourg to the shores of Libya and the perils of migrants in the Mediterranean, all the way to drug-running cartels in Central America. 

You’re based in Abu Dhabi.  What took you there?

Twelve years ago, I went to Abu Dhabi for a month on a corporate trouble-shooting role for a major local bank. I’m still in the Middle East. 

Tell us how you first got into writing.

I’ve been scribbling and writing since my mid teens, graduating from the usual angst–ridden poetry to short stories. There was a gap of several decades until I decided about eight years ago, it was just ‘time’ to write ‘that book’ we all have in us. Wish I’d gotten the bug again a bit sooner. LUVVIN IT!

Who has been the biggest influence on your writing career?

For writing style, my eternal favourite authors are Dickens, Steinbeck, O’Hara and Ruark. The other principal influence has been an international career that has revealed characters, events, places, humour, tragedy and the whole nine yards of life in the raw.

How important are book reviews to you?

They are important inasmuch as people take time and trouble to share their opinion (but, always to remember it is only their opinion). It tends to guide other folks toward the work, good or otherwise, and as the former actress, Mae West, used to say, “I don’t care what they’re sayin’ about me, just so long as they’re sayin’. ” However, reviews should always be taken with a pinch of salt, as most people usually give four- or five-star reviews for publication... the negatives are seldom ever posted, or are, in large part, written by trolls.

If you could go back to the start of your writing career, what if, anything, would you do differently?

Start the ‘building the platform’ of a following on the Internet, including an author’s blog, constantly, before, during and after the book(s) is (are) in process. Modern writers have to be heard above the ‘noise’ and all of the social networks provide channels for readers to get to know them as well as their wee masterpieces.

Who does your book covers?

A friend in Manila is a superb commercial artist, and ‘gets’ what my books’ contents need. I’m delighted with the many positive comments the covers have attracted.

Where can we find out more about your books?

All of my books are on Amazon. Here are the quick links:

Saturday, 27 August 2016

Interview with Ed James

It’s time for another interview, and this time I have been chatting to Ed James, self-published author of the DC Scott Cullen police procedurals as well as Snared, which was published by Thomas & Mercer.  They will also be releasing two DI Fenchurch books this year, and he recently published a PC Craig Hunter book.

You gave up your day job in IT to write full time (just as I did).  Did it ever feel like a risky move?

Hell yeah! And it felt like that for about eighteen months. Still get shivers if my monthly income goes below a certain level… But I don’t regret doing it.

I took the plunge kind of by accident. I’d been working in London on a huge migration project, and I was in charge of the data migration team, which was running into serious difficulties. None of it my fault, I hasten to add.

During my time there, my book income had exploded from about £900 a month to over four grand. Then around Christmas time, an agent approached me, Allan Guthrie, who’s also a novelist I greatly admired. 

I wasn’t enjoying being away from home every week and I managed to secure a contract back in Edinburgh, luckily for the same amount of money. I took a week to see if I’d actually be productive writing full-time and it went really well, finishing an outline for the first Fenchurch novel, though it had vampires in it… Anyway, I lasted three days at the job before I started getting a really sore back and I had to quit. I’ve not looked back…

What are the main differences between self-publishing and having a team like Thomas & Mercer behind you?

On the self-publishing side, or indie author as we like to call ourselves now, you’re in charge of everything. You’re your own publisher. So as well as writing the books, you’ve got to market them, get covers done, organise and pay for editing. With T&M, I don’t have to worry about any of that, other than working with editors and approving covers, really. The marketing is all taken care of and that’s T&M’s great advantage – they can direct market to everyone who’s got a Kindle.

The plus side of being an indie author is you can set your own schedule. I finished up editing a book with my friend last weekend and I published it on Monday. With T&M, and they’re very quick compared to traditional publishers, it takes about seven months from finishing development editing to publication, something I’m not used to. 

On the T&M side, there’s usually some lead time between submitting that first draft and starting dev editing, something I maybe don’t give myself enough of with my indie work. That means I’m cold to the book and I can take a pair of scissors to it, or more likely add in stuff that’s lacking…

I’m a very quick writer and T&M are being really good at calling me out on it, heh. For instance, I’ve got the first two books in the DI Fenchurch series out five weeks apart and they’re pushing for me to write the third one, which is pretty much unheard of in trad publishing circles. The only exception I can think of is the success Bookoutoure have had with Angela Marsons Kim Stone series, where the books were published very quickly.

On balance, though, I love having the blend. I know a few trad authors who’re stuck publishing just one novel a year, so everything has to go into that book, and it doesn’t seem to have a positive effect on their health… And the social side of being with a publisher can’t be ignored – the parties T&M run every year have let me meet a load of different authors, including yourself, and it helps share stories and pain points and successes. Keeping perspective is one of the hardest things when you’re locked in a room for eight hours a day with just a fat cat for company.

What’s a typical writing day?

When I’m writing, it’s usually a sprint, so getting up at seven-ish for a quick breakfast. I go to the gym four or five times a week, usually about 9, 9.15, so I take a break for that. Then I’m back at it until lunchtime. I usually work straight through to about six at night, though in winter I break to walk the dogs at about three, not a problem in the summer. I usually aim for a word count of about 7,000-10,000 when I’m doing that heavy-lifting phase, mainly so I get through it. Then I can spend a couple of weeks fixing stuff. But I tend to work in an agile way, everything’s timeboxed and focused, there’s no diversions allowed!

Where do you get your information or ideas for your books?

Information is harder than ideas. 

Ideas I usually get from news stories. I use Feedly to subscribe to a load of newspapers and blogs, and skim through them every day saving stuff off to Evernote. I’ll sift through that selection every month or so, and find something that catches my eye and I’ll file a note in my ideas file. Other than, it can be stuff coming out of the ether that I just get struck with. Those are harder to replicate…

Information is the hard bit for police procedurals. Murder cases are pretty easy, as everyone’s seen or read hundreds of books/shows/films with a dead body on page five and a post-mortem and forensics and interviews and so on. The challenge there is in making the story as good as possible, as unique and different, with interesting characters. The book I’ve just published focuses on sex crimes, which is a harder thing to do – the victims are still alive, forensics are different and police procedure isn’t so well-documented. Luckily, I know a few officers, including a couple of serving ones, so that does help.

Of all the books you’ve written, which is your favourite?

It’s always the latest one. The first two Fenchurch books I’m particularly pleased with as I think I’m maybe pushing the genre in a slightly new direction. MISSING, the first Hunter book, is similar as I’m focusing on sex crimes and giving voice to a different set of victims. It allows for the victims voice to be heard dramatically, instead of through exposition.

Have you ever yearned to collaborate with another author, and if so, who?

I have collaborated with Al Guthrie, though the project we selected is pretty much the hardest thing either of us have ever tried to do. I did my first draft two years ago after Al had done a couple on his own and we’re still back at the drawing board stage, five drafts in. It’s been a great experience seeing how someone else works and picking up skills. Al’s very big on character, particularly motivations and what makes each person unique, but also on writing craft and I’ve learnt a hell of a lot of good tricks from the process. Just hope one day we publish the bugger!

What’s the easiest and hardest things about writing?

The easiest for me is sitting down and bashing away at a project. I can do that till my Spidey-sense starts tingling to tell me I’m working on something that’s rubbish.

The bit I enjoy most is outlining. That’s when it’s fresh and exciting and all the weird little twists and insights come out. Compare with proofing where I’m just done with that book and can’t put any more emotion into it.

The hardest bit is editing, mainly because I could just keep changing it all the time. I have to be very disciplined and go with what the editors are telling me and just keep it at that.

When you’re not writing, how do you relax?

Going to the gym, watching TV (box set stuff, not live), watching football, walking the dogs, going for drives with my girlfriend and generally just spending time with her.

Where can we find your books?

They’re all on Amazon or you could look at my website, 

Sunday, 14 August 2016

My interview with Jennifer Chase

Back across the pond, this time to California, the home of Jennifer Chase.  With her German shepherd Odin by her side, Jennifer writes the Emily Stone vigilante detective thrillers. Emily Stone doesn’t have a badge. But that hasn’t stopped her from tracking down some of the West’s most dangerous criminals.

Tell us about your latest book

I write the multiple award-winning Emily Stone Thriller Series. My latest book, Dark Pursuit, leads the vigilante detective on a case of the Tick-Tock killer that pushes her psychological and physical endurance to the extreme. Emily Stone is not your ordinary detective; in fact, she tracks down serial killers anonymously and covertly under the radar of law enforcement. The Tick-Tock killer abducts a victim and in four days, almost to the minute, he dumps the body leaving the cops with very few clues. That’s where Emily Stone comes into play using her innate abilities of investigation and criminal profiling to track the killer. It’s not without a price.  
What was the hardest part of writing it?

For me, writing a series, and keeping the storyline fresh and engaging for readers keeps me on my toes. I write all my books to stand-alone, but I have a personal competition to write bigger action scenes and twists for each book.  

Do you outline your books first, or just start writing and see where it takes you?

I outline my stories. This is a loose outline where I can change things if the storyline calls for it. I like to think of an outline as a roadmap of the book, and then I can take one of those other roads occasionally if the mood strikes me.

How has your background influenced your writing?

I have been behind the scenes as far as police departments are concerned. I know what goes on with forensics and how investigations are done from the real people that do these jobs. I spent my internship several years ago in forensic lab comparing fingerprints, studying crime scenes, and learning my way around a morgue. In addition, I’ve been threatened and stalked by a real textbook psychopath, which has inspired me to fine-tune my killers. Writing fiction allows for creative license, which is fun, but I’m keenly aware of procedures, realities, experiences, and technology. I try to give the reader the excitement of a police procedural, while striving to keep the story thrilling.  

What has been the best moment of your writing career so far?

That’s difficult to answer. It’s a great moment when you finish any book—whether it’s your first or tenth, and having readers enjoy it. When I won the gold medal for action through Readers’ Favorite for Dead Burn really was a great moment for me—it validated my work and that I can write action thrillers. I’m very grateful.

What is your ultimate writing goal?

I want to keep writing books and short stories, and adding a few new series to my arsenal. I cannot ignore the fact that I would love to have my Emily Stone Series made into films. Who wouldn’t, right? There are some things going on behind the scenes, but that’s for another interview.

Which authors do you read for inspiration?

There are so many awesome authors out there. I mostly read mysteries, thrillers, and horror. However, I seem to gravitate toward authors like Jeffrey Deaver, Lee Child, and David Baldacci. Besides these wonderful authors, I find inspiration from true crime authors as well. 

Where can we find out more about your books?

All of my books are available on Amazon worldwide, in addition to most online book retailers. 

Here’s a link to Dark Pursuit.

For more information about my books and crime related articles:

Author Bio:

Jennifer Chase is an award-winning author and consulting criminologist.  She has authored six crime fiction novels, including the multiple award-winning Emily Stone thriller series along with a screenwriting workbook.
Jennifer holds a Bachelor degree in police forensics and a Master's degree in criminology.  These academic pursuits developed out of her curiosity about the criminal mind as well as from her own experience with a violent sociopath, providing Jennifer with deep personal investment in every story she tells. In addition, she holds certifications in serial crime and criminal profiling.  She is an affiliate member of the International Association of Forensic Criminologists.

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